SCI-Arc design faculty Anna Neimark will present a paper at the 102nd ACSA Annual Meeting held April 10-12th in Miami Beach, Fla.
Titled Kremlin Form, Neimark's presentation will discuss work done in a visual studies seminar under the same name offered at SCI-Arc in fall 2012.
The problem Neimark posed to her class was the construction of a unifying drawing format for representing the site of the Moscow Kremlin through purely formal means. The resulting axonometric drawings were central to the seminar, offering a way to represent complex form in a singular unifying format.
Students considered different types of isometric construction techniques, concentrating on the vertical axonometric projection that conflates the plan and elevation into one compositional plane. They took their inspiration from John Hejduk’s representational strategies of the Seven Texas Houses that utilize the nine-square grid, the Diamond Houses that rotate the grid 45 degrees, and the Wall Houses that crop and extrude those rotated objects.
Neimark’s ASCA presentation is scheduled April 10, 2pm. Click here for more info about the ACSA event.
SCI-Arc undergraduate students Eduardo Bellosta (B.Arch ‘15) and Ryan McGriff (B.Arch ‘15), and graduate students Nan Yen Chen (M.Arch 2 ‘13) and Hao Wu (M.Arch 2 ‘13), were selected to exhibit their work in the 2014 edition of 2x8, a highly anticipated annual exhibition of student work hosted by AIA Los Angeles.
Themed 2x8: Evolved, the show opens April 11, 6pm at the A+D Museum in Los Angeles, and will include projects by students from SCI-Arc, Art Center College of Design, California College of the Arts, USC and UCLA, among other schools.
The New Painterly, a graduate project developed by Chen and Wu in the studio led by design faculty Elena Manferdini, engages painterly effect techniques of Chiaroscuro and Tenebrism into architectural space. The project explores various ways texture and fake shadows can be used to challenge the perception of a building’s volume, geometry and openings. The program of the building is a Performance Arts Center located in the theatre district of Los Angeles near Disney Concert Hall. It contains one large hall and one small one, the public being “sandwiched” between the building’s interior and exterior skins. The outside of the building is colored with dots and stripes using the technique of planar mapping, projecting dots on the opposite surface, at times stretching the dots to stripes on the other two surfaces. Fake shadows are also used around the opening in order to blur the distinction between interior and exterior to correspond to public areas.
Bellosta and McGriff's design proposal for a new Emerging Art Museum for the city of San Francisco, takes into account the environmental systems affecting the aspect and performance of the museum. The two developed of a per formative envelope that takes advantage of the exterior and interior qualities of the museum. The envelope addresses environmental conditions through a hyper articulated skin allowing air, light and water to add productive efficiencies throughout the year.
AIA│LA will be announcing the recipients of their 2014 AOC Student Scholarships at 2x8’s opening reception on April 11.
For more details about the event, visit aialosangeles.org.
Alumnae Emily White (M.Arch 2 ‘06) and Lisa Little (M.Arch ‘06), co-principals of Layer LA, will present their installation, the Three Horned Beast, at Plummer Park in West Hollywood on Saturday, March 15. The powder-coated aluminum structure will be unveiled during a ceremony hosted from 10am to noon by WeHo’s Arts and Cultural Affairs Commission.
Three Horned Beast installation at Plummer Park in West Hollywood
White holds an M.Arch degree from SCI-Arc and a Bachelor of Arts from Barnard College. She has lectured and published on topics ranging from manufactured islands to the history of code in fibrous architecture. Her work has been exhibited in numerous museums and galleries. She has taught design studios at the University of Southern California, the University of California at Berkeley and Woodbury University.
Little holds an M.Arch from SCI-Arc and a Bachelor of Science in electrical engineering from Georgia Institute of Technology. Little worked as an associate at Patrick Tighe Architecture for three years, and prior to that, she was a designer in the office of Pugh + Scarpa Architects. At these firms she worked on retail, affordable housing, and single-family residential and commercial projects. Previously, she was the director of the Flame and Inferno software development team at software developer Discreet Logic and a hardware design engineer at Abekas Video Systems, developing hardware systems for film and television post production.
SCI-Arc design faculty John Southern’s critical field survey, Wilshire Star Maps, is part of the Archizines exhibition on view at the University of Hong Kong/Shanghai Study Centre through March 9th, 2014. The two-part, limited-run publication produced by Southern and his LA-based office, Urban Operations, presents the latent formal and programmatic potential of the otherwise unnoticed skyscrapers along Wilshire Boulevard.
Often described as L.A.'s main street, Wilshire represents a cross-section of both the cultural and economic components in the city, with Korean puppy-mills sharing floor space with high-priced Hollywood attorneys, many of whom are ensconced within the same nondescript office towers that make Wilshire easily identifiable from above. While Wilshire may be a flimsy stand-in for L.A.'s missing urban skyline, it represents a fertile breeding ground for future zoning mutations which will no doubt manifest themselves as Los Angeles densifies.
Taking this into account, the Urban Operations-produced Star Maps, much like those used in the tourist industry to find the homes of Hollywood film stars, present a pliable fiction that exists in real time, offering up the potential for dreams to spring from an overtly banal reality which unfolds along Wilshire's 17-mile traverse from Downtown to the Pacific.
Both editions of the Wilshire Star Maps have been archived at the UCLA Fine Arts Library and the National Art Library at the Victoria & Albert Museum in London.
The critically acclaimed touring exhibition Archizines celebrates the resurgence of alternative and independent architectural publishing around the world. Curated by Elias Redstone and initiated in collaboration with the Architectural Association, Archizines now features 100 architecture magazines, fanzines and journals from over 20 countries that provide an alternative to the established architectural press. Edited by architects, artists and students, these publications provide new platforms for commentary, criticism and research into the spaces we inhabit and the practice of architecture.
More about John Southern and Urban Operations at urbanops.org.
Long time SCI-Arc faculty Peter Zellner has been recruited by design behemoth AECOM to head the firm’s Southern California design office. Zellner, currently in charge of SCI-Arc’s Future Initiatives post-professional program, will continue to teach at SCI-Arc as he assumes his new role with AECOM.
For the past 15 years, Zellner has been heading his own award winning architectural design, planning and research practice, ZELLNERPLUS, out of Venice, California. Dubbed a “maverick architect of galleries,” Zellner has designed public and private art galleries, residences, institutional facilities and corporate spaces in Los Angeles, San Francisco and New York. Among recent projects, his acclaimed Matthew Marks Los Angeles Gallery, opened its doors in 2012.
Zellner holds a Master in Architecture from the Harvard Graduate School of Design, where he participated in the Harvard Project on the City led by Rem Koolhaas. He received a Bachelor of Architecture with First Class Honors from the Royal Melbourne Institute of Technology in Australia, where he also taught between 1994 and 1997. He has also held Visiting Professorships in Architecture at UC Berkeley, FIU, University of Southern California, L’Ecole Speciale d’Architecture, and the University of Innsbruck.
A new exhibition, Lobby Urbanism, curated by SCI-Arc design faculty Bryony Roberts, with Maia Simon and Sophie Jonson, opens tonight at the Architecture Center, Houston (ArCH) with a panel discussion followed by reception.
Roberts' show examines how tower lobbies function as interiorized public spaces, connecting surface streets, underground tunnels, and interior commercial spaces. She focuses on four Houston case studies that have the potential to activate both interior and exterior public space: One Allen Center, 1000 Main, Wells Fargo Plaza, and the Hyatt Regency Hotel. The exhibit features architectural drawings and models of the overall network of tunnels and lobbies, as well as drawings of proposed design interventions.
The show opens with a panel discussion tonight, featuring architects, developers, planners, and community development organizers who will discuss the potential for architecture to create more accessible public space in the Houston downtown area. Bryony Roberts will present ideas behind the exhibition, Kristopher Stuart from Gensler and Joel Ambre from Skanska will discuss the new Skanska tower downtown, Douglas Oliver from Morris Architects will describe the new Marriot Marquis Convention Center Hotel, and Albert Pope of Rice University and Susan Rogers of the Community Design Resource Center will offer their responses.
Read more about the show at aiahouston.org.
SCI-Arc longtime design faculty and alumnus Michael Rotondi (B.Arch ‘73), together with former faculty April Greiman, designed the space for the Armin Hofmann: Farbe/Color exhibition currently on view at the A+D Museum.
Curated by Greiman, the exhibition showcases one of the legendary Swiss graphic designer and educator’s portfolios, as well as 16 studies of his prints. The show represents Hoffmann’s work in the built environment as physical, color interventions into the museum itself.
Farbe/Color is on view through January 19th. More about the exhibition, including opening times, at aplusd.org.
SCI-Arc alumnus Ross-Alan Tisdale (M.Arch ‘06) didn’t always dream of becoming an architect. Fueled by a lifelong passion to be an astronaut, he started college as a cadet in the U.S. Air Force Academy. While on hiatus from the Academy, he went to Yale University, where a series of architectural history classes he took with Prof. Vincent Scully sparked his interest in architecture. It wasn’t long before he decided to switch to architecture as a full-time interest and enroll in the university’s Bachelor of Architecture program.
After graduating from Yale, Tisdale worked in the Albuquerque offices of Antoine Predock, FAIA and spent several years with an architectural and engineering firm in Boston. In 2003, his pursuit of architecture landed him in the Master of Architecture program at SCI-Arc, where his research and explorations focused on architecture that can look both forward and back.
Seagrape House, Anna Maria Island, Fla., Designed by Traction Architecture
He also never gave up on his childhood dream. In turn, he transformed it into reality by marrying his architectural expertise with research into the exploratory field of space architecture—loosely defined as design to support human habitation outside the confines of planet Earth. Tisdale worked at the NASA Ames Research Center designing human habitation for the Moon, and had his work published in the first textbook on space architecture—Out of This World – The New Field of Space Architecture.
In 2012, Tisdale joined his wife and SCI-Arc alumna Jody Beck, AIA (M.Arch ‘06), whom he met while at SCI-Arc, in heading a joint architecture practice, Traction Architecture, founded by Beck a couple of years prior. Based in Tampa, Florida, their architectural office focuses on both residential and commercial designs, and has recently received a Design Honor Award from AIA’s Tampa Bay Chapter.
Traction’s work has been featured by Wall Street Journal and Sarasota Magazine, and their recently completed beachfront Seagrape House (shown here) located on Anna Maria Island, Fla. has been awarded LEED Platinum certification.
Tisdale talks about his work in the field of space architecture and his expertise in designing storm resilient structures in an interview published this month on the AIA website. For more about his practice, visit tractionarchitecture.com.
SCI-Arc design faculty Ilaria Mazzoleni will host a book signing event and discussion about her new book, Architecture Follows Nature, at the Trienalle di Milano on Thursday, December 19, starting 7pm.
Organized as part of a series of lectures celebrating 150 years from the founding of the Polytechnic University of Milan, the discussion features Mazzoleni (an alumna of the school) and Silvia Piardi, Director of the Design Department at the university, in a conversation about biomimetic principles for innovative design.
The Triennale di Milano is located at Viale Alemagna 6, Milan. Admission is free and open to the public.
More at www.imstudio.us.
As the fall 2013 term is coming to an end, design faculty Erick Carcamo and partner Nefeli Chatzimina of X|Atelier are preparing to kick start an intensive workshop of advanced architectural design hosted by their office this Winter 2013 in Athens, Greece.
Part of an ongoing academic research which introduces participants into contemporary discussions of formal exploration in Architecture and Art, the workshop explores innovative, potential architectural expressions of the current discourse around form through computational tools such as Autodesk MAYA.
Focused on technique elaboration, material intelligence, formal logic efficiencies and precision assemblies as an ultimate condition of design, the X|Atelier workshop introduces a discourse based in the use of multi-layered techniques and production processes allowing for control over intelligent geometries, calibration of parts, and behavioral taxonomies, normalizing an innovative held of predictability. Within this context, each student operates within an expertise towards intuition by means of software and advancement of the discipline through a precise contemporary understanding of architecture’s reliance on surface performance, unspecified systems, scale within scale, mechanical parts and absurd precisions to expand its discourse.
Dubbed ‘Ornamentism,’ the workshop is privately organized by X|Atelier Principals and is under the auspices of the Benaki Museum, the Helenic Institute of Architecture and the Athens School of Fine.
Workshop session is scheduled December 15th – 23rd and will be hosted at the Benaki Museum in Athens, Greece. Read more at www.xatelier.com.