Inside SCI-Arc


02.01.13 | SCI-Arc Gallery, 960 E. 3rd Street, Los Angeles, CA 90013
Marcelyn Gow + Eric Owen Moss Discussion

Friday, February 1, 7pm
SCI-Arc Gallery

Aqueotrope │ Marcelyn Gow & Ulrika Karlsson, servo LA/Stockholm │ SCI-Arc Gallery

servo Los Angeles principal Marcelyn Gow and SCI-Arc Director Eric Owen Moss delve into a conversation about servo's site-specific SCI-Arc Gallery installation, Aqueotrope. Using conventional ceramic roof tiles in an unconventional way, the installation explores the roofscape as a site for the development of synthetic architectural systems that are informed by and integrate systems of organic matter. It features an archipelago of gray ceramic tiles situated on the gallery floor, illuminated by a series of orbicular glass light fixtures. A cable sargassum confounds the simple diagram of a closed electrical circuit with the entropic tendendencies of accumulation, excess and disorder, and in doing so, creates a third spatial layer—a drawing manifested in space, a canopy which is suspended above an unnatural gray ceramic landscape.

servo’s project proposes an architecture that has the capacity to embrace entropic tendencies and exploit the latent potential of energetic exchanges—in this case the transfer of moisture through an architectural medium and its effects on more extensive ecologies. Aqueotrope reconsiders the extensive green-roof typology as an immersive roofscape and focuses on amplifying its hydrodynamic potential. The emergence of cusp and contour in the roof tile is activated for its role as a water shedding or channeling device. The material properties of ceramics with varying degrees of porosity and surface articulation are coupled with a morphology of protuberant forms in order to perform as hydrophilic and hydrophobic constituents of a roofscape designed to subtly tamper with atmospheric effects in its specific environment and conjure the potentials of an architecture that embraces the fluxion of matter.

Visit the Aqueotrope exhibition page >>

Aqueotrope is supported in part by the Graham Foundation for Advanced Studies in the Fine Arts. Additional support is provided by the Pasadena Art Alliance, the Swedish Research Council Formas, SRE & Vetenskapsradet.